Then look at your hero and heroine and figure out their character lessons. Such stories can have a Goal that is more internal, such as changing an attitude or becoming something. Will a flawed character overcome their flaw and earn redemption, or will they fall completely into self-destruction?
If you choose to use this writing style, your reader will spend time thinking about the characters and their attitudes, personal evolutions and decisions, and how those, in turn, change the shape of the plot and the story as a whole. This is just for your benefit. Now comes the plotting.
For a character motivated by romanceseeing their beloved approached by a total dreamboat will do a great job of turning up the pressure. The royal family, including Prince Hasan, has been taken prisoner. You do this by forcing the character to face her past again and again until she either has to grow and change or forsake her internal goal.
And on the other side you have the plot-driven writing style, where the plot takes center stage and the characters are added accessories.
Before she can adapt to her exile, Nika gets word that a hostile neighbor has invaded from the west and conquered the capital.
Other times, the character begins high and mighty, but their flaw trips them up and sends them on a dark descent. But others try to make the protagonist as vivid as possible, trusting them to drive the story.
How to plot a character-driven story by Roger Brazil Question: They might be hopelessly in love and desperate to see their feelings reciprocated.
Motivated Character or Flawed Character Most character issues can be broadly grouped into either motivations or flaws. You may want to write detailed character sketches and backstories. In most stories, the protagonist would name the external conflict if asked what drives thembecause few people are self aware enough to know their own internal conflicts.
This was her big bag of crud, so to speak, the stuff she carried on her back that prevented her from achieving her internal goal.
Audiences naturally assume that the most important stuff will be established first, so waiting can cause confusion and resentment. I recently found out that I am more of a plot driven story teller.
They require a much better understanding of what makes a character tick than stories that focus mostly on external conflict. This generally goes hand and hand with your theme.
That hurt is still fresh, and now Nika is torn between her need for a useful ally and her intense jealousy.
When in doubt, think of the climax of a story. Every book has a premise. That change in Cruella de Vil would in turn alter the dynamic of the story completely.
In an action-driven story, the major turning points will be actions. Example Heartbroken, General Nika is exiled from the capital to command a distant border fort. Be-er main characters are most at home in this type of story, because they are comfortable with deliberation. Literary fiction also tends to be character-driven.
It can sound confusing. They might have been stripped of their prestigious position at court and are now ready to do anything to win their old life back. Also, in each story, what kind of subplot should I use?The character arc is the plot of a character driven story.
Let me repeat that, the character arc is the plot of a character driven story. Our jobs as writers is to figure out how to get her from Point A to Point B.
The plot in a character-driven story is usually simple and often hyper-focused on the internal or interpersonal struggle of the character(s). In a character-driven story, the plot is used to develop the character. Broadly speaking, writers who prefer writing action-driven stories focus on logical thinking, rational analysis, and accuracy.
Action-driven writers tend to rely more on the left side of their brain.
These writers approach writing as a linear function and see the story in its parts. But others try to make the protagonist as vivid as possible, trusting them to drive the story.
The character has some intense desire or critical flaw that spurs them to action, rather than reacting to an external threat.
These character-driven stories can be incredibly compelling. Of course, they’re also very tricky.
On one side of the fence you have the character-driven writing style, where the main focus of your story is on the development of characters. And on the other side you have the plot-driven writing style, where the plot takes center stage and the characters are added accessories.
Plot-Driven Knowing how to approach your plot will help you work out many things in the rest of your work, from what to research, to chapter length and even the impact of your ending. Most stories can be classified as plot-driven or character-driven (and sometimes a mash-up of the two).Download